The character of the gallery is still that of a private collection, and the works of art are displayed and hung much as they would have been in the grand rooms for which they were intended rather than following a chronological sequence.The finest rooms were decorated by Pietro da Cortona in the high baroque style. Initially Cortona frescoed a small room on the piano nobile called the Sala della Stufa with a series depicting the Four Ages of Man which were very well-received; the Age of Gold and Age of Silver were painted in 1637, followed in 1641 by the Age of Bronze and Age of Iron. They are regarded among his masterpieces. The artist was subsequently asked to fresco the grand ducal reception rooms; a suite of five rooms at the front of the palazzo. In these five Planetary Rooms, the hierarchical sequence of the deities is based on Ptolomeic cosmology; Venus, Apollo, Mars, Jupiter and Saturn, but minus Mercury and the Moon which should have come before Venus.
Spread over 30 rooms, this large collection includes works by artists of the Macchiaioli movement and other modern Italian schools of the late 19th and early 20th centuries. The pictures by the Macchiaioli artists are a particular favorite, because this school of 19th-century Tuscan painters led by Giovanni Fattori were early pioneers and the founders of the impressionist movement.
The Palazzo Pitti is characterized by a severe and simple architecture. One continual architectural theme used throughout four centuries has produced massive but impressive elevations and façades which belie the long evolution and history of the structure. The architecture commands attention by virtue of size, strength and the reflection of the sun on the glass and stone.
Land on the Boboli hill at the rear of the palazzo was acquired in order to create a large formal park and gardens, today known as the Boboli Gardens. The landscape architect employed for this was the Medici court artist Niccolo Tribolo, who died the following year; he was quickly succeeded by Bartolommeo Ammanati.
The original design of the gardens centered on an amphitheater, behind the corps de logis of the palazzo. The first play recorded as performed there was Andria by Terence in 1476.
Situated in a wing known as the "Palazzina della Meridiana", this gallery contains a collection of theatrical costumes dating from the 16th century until the present. It is also the only museum in Italy detailing the history of Italian fashions.
One of the newer collections to the palazzo, it was founded in 1983 by Kristen Aschengreen Piacenti; a suite of fourteen rooms, the Meridiana apartments, were completed in 1858.
The Silver Museum, sometimes called "The Medici Treasury", contains a collection of priceless silver, cameos, and works in semi-precious gemstones, many of the latter from the collection of Lorenzo de' Medici, including his collection of ancient vases, many with delicate silver gilt mounts added for display purposes in the 15th century.
These rooms, formerly part of the private royal apartments, are decorated with 17th-century frescoes, the most splendid being by Giovanni di San Giovanni, from 1635 to 1636. The Silver Museum also contains a fine collection of German gold and silver artifacts purchased by Grand Duke Ferdinand after his return from exile in 1815, following the French occupation.
Caitlin,
ReplyDeleteIt has been so wonderful spending time with you in Florence and sharing our love of art! I miss you already. Prof Carrara has been quite a mentor for you-I appreciate that! Enjoy this last month of school in the beautiful city you love so much.
XOXOXO Mom
pie -
ReplyDeletei'm so happy you, mom and bre had such a wonderful time together. you're making life-long friends through this experience, that's one of the best outcomes possible. study, learn, explore, be safe, be happy. love, love, ciao, papa.