Thursday, October 14, 2010

THE ULTIMATE BOY TOY




Last night I had the privilege of attending the RM/Sotheby’s preview of the 1964 Aston Martin DB5 that starred in the James Bond films Goldfinger and Thunderball. Let me tell you, this car would bring out the little boy in everyone- regardless of age, gender, or previous passion for automobiles.

Who wouldn’t dream of owning an Aston Martin, let alone James Bond’s Aston Martin? It comes customized with 007 ‘Q-Branch’ gadgets such as machine guns, a bullet-proof shield, revolving number plates, tracking devices, a removable roof panel, oil-slick sprayer, nail-spreader and a smokescreen-all controlled from the special agent switches hidden in the centre arm-rest!

Known around the world by its original UK registration number, FMP 7B, this 1964 Aston Martin is one of the two original ‘007’ DB5s as featured on screen with Sean Connery – but it’s the only one remaining. The second one was bought and placed in storage by a private automobile collector. Despite attempts to keep the whereabouts of the car a secret, the second make was stolen. Suspicions surfaced speculating that was in the hands of a mafia boss who has more than one way to relate to the James Bond films. After a much publicized international police investigation, the cars disappearance remains unsolved.
When RM (in association with Sotheby’s) puts the car under the hammer on October 27th, at its luxury automobiles event at the Battersea Evolution venue, it will be the first time in history that this car has come to market. Through the extremely generous Mr. Roger Bell-Ogilby, I will actually be allowed to attend the auction event! The RM automobile auction house expects the sale price to top $5 million.

Originally loaned to EON Productions for the filming of the two Bond movies, the DB5 was returned to the Aston Martin Lagonda factory and then, in 1969, and immediately sold to Mr. Jerry Lee, an American radio broadcaster based in Philadelphia, for $12,000. It has remained in his possession and has rarely been seen publicly over the past 40+ years. Lee created a special garage for the car to control the temperature and moisture and decorated the walls with limited edition 007 memorabilia. He also had special generators created to ensure that the battery and custom gadgets would stay in perfect condition.

Mr. Lee plans to use the proceeds from the sale of FMP 7B to further the charitable work of The Jerry Lee Foundation, a multi-national initiative dedicated to solving social problems associated with poverty, and crime prevention in particular. The car is set to make its first 21st Century public appearance at the Bond-themed Midsummer Classic/Thunderball concourse and black-tie reception scheduled for 26 June at the Stoke Park Club, near London.

Wednesday, October 13, 2010

GETTING PUBLISHED!

Once again, my determination to make a career in the art world has proven a success since I found out this morning that I am going to be PUBLISHED! The last week at Sotheby’s was a little bit slower than most because the Specialists were piecing together the November 22nd & 23rd auctions. I had some extra time to think about my application for the Courtauld Institute. For those of you who I haven’t yet told, I have fallen in love with the idea of attending the Courtauld Institute for my MA. The Courtauld is one of the leading art history institutions in the world and several of my co-workers here at Sotheby’s attended the university for their own Masters Degrees. I have already started the application process but I have become consumed by thinking about how I could strengthen my application. The Courtauld asks for several pieces of writing from its applicants to assess the level of their writing.
After I finished the article, I started looking for a publication. I flipped through all the magazines lying around the office in Sotheby’s. I found a contemporary art magazine calling for freelance art writers for their next edition; so, I sent in my article! I expected to get turned down, so I didn’t tell anyone that I was attempting to get published just yet.
I kept thinking to myself that if I could get published by an art magazine, journal, or newspaper, it would show that there is someone out there who thinks that I have something intelligent to say about art. So for the next two days, I spent all my free time at work, typing up an article on how to determine which emerging artists would be successful in the primary and secondary contemporary art markets. Now, two weeks after I have sent in my work, I have just been informed that I am getting published in Visual Overture! I am so excited! And on top of it all, they are going to send me an advance for a second article on the London Frieze Art Festival, which takes place this weekend. How exciting! As my friend Kami told me, a Polish intern in my department at Sotheby’s, my ‘Professional career in the art world starts now!’ I’ll update my blog again after the exciting evening auction on Friday and after I attend the Frieze Fair on Saturday and Sunday!

Monday, October 11, 2010

SOTHEBY'S EVENING AUCTION

20th Century Italian & Contemporary Art
SUPERMODEL JERRY HALL'S COLLECTION
I was lucky enough to be invited to attend Sotheby’s Contemporary Art Evening Auction on Friday, 15 October, 2010, which coincides with the Frieze Art Fair in London. The sale will present 40 artworks that are estimated to realize in excess of £10 million.
ANDY WARHOL WITH JERRY HALL
In addition to the outstanding pieces by leading artists such as Lucian Freud and Frank Auerbach in the auction from the Collection of Jerry Hall, the world-famous American supermodel and actress.
JERRY HALL, 1997
Lucien Freud
Estimate £30,000-40,000
The sale will also feature important works by established artists such as Andy Warhol, Alexander Calder and Andreas Gursky, as well as pieces by a younger generation of artists including Bansky, Elizabeth Peyton and Ahmed Alsoudani, whose artworks have never before been offered at auction.

PYONGYANG IV, 2007
Andreas Gursky
Estimate £500,000-700,000

Executed by the artist in 2007 and from an edition of 7, the work is one of a series of five images that Gursky made on this subject following his 2007 visit to North Korea. The work examines the same formal themes of surface ornament and pattern that pervade many of his best works, but in an entirely different corner of our globalize society; North Korea, the last outpost of communist dictatorship. The festival, held annually to commemorate the birth of North Korea's former leader, Kim Il Sung, is recognized as the largest event of its kind in the world and is the showpiece of the country's dictator, Kim Jong Il. In this painstakingly choreographed spectacle, tens of thousands of gymnasts, individually hand picked for their skill, execute with mechanical precision a sequence of synchronized moves which radiate waves of energy around the Rungrado May Day Stadium, the largest stadium of its kind in the world. In the background, thirty thousand strictly disciplined school children in white attire hold up sheets of paper of a different color at the appointed time to create a succession of background images, each child an individual tile in a monumental human mosaic. To avoid any potential political gloss, Gursky's photograph consciously avoids depicting portraits of Kim Il Sung, Korean slogans or propagandistic images of the happy proletariat which, in the course of the spectacle, variously appear on the human screen in the background. Instead, Gursky's camera focuses on the abstract patterns that underpin this event.

DIAMOND DUST SHOES, 1980
Andy Warhol
Estimate 1,300,000-1,600,000

The sale will also feature two of Andy Warhol’s (1928-1987) most iconic works: Diamond Dust Shoes from 1980 and Flowers from 1965. The acrylic, silkscreen ink and diamond dust on canvas Diamond Dust Shoes is the most impressive work of this spectacular series ever to be offered for public sale in recent times. For his entire career and life Andy Warhol was obsessed with shoes, and these high-heeled icons represent all the transformative promises of glamour and attraction proposed by 20th-century fashion. Sparkling and glittering, the inherent qualities of diamond dust make a direct reference to movie star glamour, high fashion fame and money.

UNTITLED, 2003
(Orange Butterfly Green MG 03)
Mark Grotjahn
Estimate £350,000-450,000

A further auction highlight is Mark Grotjahn’s (b. 1968) oil on canvas which is a captivating display of the perspectival reorientation and sumptuous colour immersion that has made this artist one of the most exciting painters working in America today. While the formative paintings of his early career were heavily dependent on text and derived much of their conceptual weight from home-made signs of the sort found in shop windows and consisting of different graphics or varying point size and font type, in the late 1990s he developed geometric paintings with multiple and independent vanishing points usually with three horizon lines in a single canvas. The present work is an early and outstanding paragon of this body of works, and typifies the most important themes of method and concept of his best work.

THE NAZIS, 1998
Piotr Uklanski
Estimate 3400,000-£600,000
Also being offered for sale is Polish artist Piotr Uklanski’s (b. 1969) The Nazis, which consists of 164 chromogenic, black and white and colour photographs and was created in 1998. Number 5 of an edition of 10, it is Uklanski's most renowned and significant work to date and affords an encyclopedic survey of the wildly divergent cinematic interpretations and treatments of the history of war in the 20th century. From the determinedly epic to the effusively sentimental; the overtly heroic to the outright comic, this extraordinary document of and response to 20th- century filmmaking issues an incredibly powerful analysis of the conflicting perspectives of directors, producers, actors, cinematographers and stylists that compiled this canon of "War Films" for more than six decades. In its truly monumental scale and the brilliantly glossy chromatic terms of its manufacture, The Nazis lucidly and succinctly reveals the dependence upon film in later 20th-century western societies to inform our emotional and psychological responses to the Past.

I will be working the ticketing counter on Friday night and will watch the auction in the standing room after everyone is seated. I’m so excited! I know that just being asked to work the event is a testament to my hard work at Sotheby’s so far!

Tuesday, September 21, 2010

MODERN & CONTEMPORARY PRINTS

I attended my first Sotheby’s auction last week!
My favourite piece was Warhol's The Scream after Munch.

The piece sold for £445, 250.00

ANDY WARHOL
The Scream After Munch, 1984
Sotheby's sale of Modern and Contemporary Prints on September 16th included masterpieces by fascinating artists of the 20th Century. Included in the sale were four works by the Edvard Munch, including superlative impressions of two of his most important subjects: Madonna and Vampire.

PABLO PICASSO
Francoise Au NoeUd Dans Les Cheveux, 1946
SOLD FOR: £26,250.00
There was also a spectacular single owner collection of works by Pablo Picasso. The collection included what are without doubt Picasso's three greatest prints: Le Repas Frugal; La Minotauromachie and La Femme qui Pleure. These works are each singularly important in the development of Picasso's graphic oeuvre, reflecting key themes and demonstrating a mastery of technique that is unsurpassed.

CLICK HERE, to read a great article about the
Picasso Collection.

HENRI MATISSE
Grande Odalisque à la Culotte Bayadère
SOLD FOR: £229, 250.00

In the contemporary section of the sale there were rich groups of works by Damien Hirst, Jim Dine, Roy Lichtenstein and Andy Warhol in particular. There were four works from Warhol's celebrated Marilyn portfolio including the coveted impression with pink background and yellow hair. Other highlights included Lichtenstein's Reverie and Keith Haring's Retrospect. All in all, it was very exciting to be able to sit in on this auction. I look forward to several auctions in the upcoming few months that I will be able to attend during my time with Sotheby's.

Thursday, September 9, 2010

JOAQUIN SOROLLA

I fall in love with new artists all the time, but I am sure that this love-affair will stay with me for the rest of my life.
His name is Joaquín Sorolla.
AUTORRETRATO, 1915
Self Portrait
Joaquín Sorolla (February 27, 1863 – August 10, 1923) was a Spanish painter, born in Valencia, who excelled in the painting of portraits, landscapes, and monumental works of social and historical themes.
BANISTAS EN VALENCIA, 1910
Bathers at Valencia
-currently hanging in my office at Sotheby's-
He received his initial art education, at the age of fourteen, in his native town, and then under a succession of teachers including Cayetano Capuz, Salustiano Asenjo. At the age of eighteen he traveled to Madrid, vigorously studying master paintings in the Museo del Prado. After completing his military service, at twenty-two Sorolla obtained a grant which enabled a four year term to study painting in Rome, Italy, where he was welcomed by and found stability in the example of F. Pradilla, the director of the Spanish Academy in Rome. A long sojourn to Paris in 1885 provided his first exposure to modern painting; of special influence were exhibitions of Jules Bastien-Lepage and Adolf von Menzel. Back in Rome he studied with José Benlliure, Emilio Sala, and José Villegas.
MI ESPOSA E HIJAS, 1915
My Wife and Daughters
In 1888 Sorolla returned to Valencia to marry Clotilde García del Castillo, whom he had first met in 1879, while working in her father's studio. By 1895 they would have three children together: Maria, born in 1890, Joaquín, born in 1892, and Elena, born in 1895. In 1890 they moved to Madrid, and for the next decade Sorolla's efforts as an artist were focused mainly on the production of large canvases of Orientalist, mythological, historical, and social subjects, for display in salons and international exhibitions in Madrid, Paris, Venice, Munich, Berlin, and Chicago.
OTRA MAGUERITTE, 1892
Another Magueritte
His first striking success was achieved with Another Marguerite, which was awarded a gold medal at the National Exhibition in Madrid, then first prize at the Chicago International Exhibition, where it was acquired and subsequently donated to the Washington University Museum in St. Louis, Missouri.
REGRESO DE LA PESCA, 1894
Return from Fishing
He soon rose to general fame and became the acknowledged head of the modern Spanish school of painting. His picture The Return from Fishing was much admired at the Paris Salon and was acquired by the state for the Musée du Luxembourg. This indicated the direction of his mature output.
TRISTE HERENCIA , 1899
Sad Inheritance
An even greater turning point in Sorolla's career was marked by the painting and exhibition of Sad Inheritance, an extremely large canvas, highly finished for public consideration. The subject was a depiction of crippled children bathing at the sea in Valencia, under the supervision of a monk. The painting earned Sorolla his greatest official recognition, the Grand Prix and a medal of honour at the Universal Exhibition in Paris in 1900, and the medal of honour at the National Exhibition in Madrid in 1901.
EL MERCARDO DE PESCA, 1900
The Fish Market
An even greater turning point in Sorolla's career was marked by the painting and exhibition of Sad Inheritance, an extremely large canvas, highly finished for public consideration. The subject was a depiction of crippled children bathing at the sea in Valencia, under the supervision of a monk. The painting earned Sorolla his greatest official recognition, the Grand Prix and a medal of honour at the Universal Exhibition in Paris in 1900, and the medal of honour at the National Exhibition in Madrid in 1901.

TRES VELAS, 1903
Three Sails
While in England in 1908 Sorolla met Archer Milton Huntington, who made him a member of The Hispanic Society of America in New York City, and invited him to exhibit there in 1909. The exhibition comprised 356 paintings, 195 of which sold. Sorolla spent five months in America and painted more than twenty portraits.
IL BAUTIZO, 1900
The Christening
Sold at Sotheby's London through my department last June for $1,203,497.00
After his death, Sorolla's widow left many of his paintings to the Spanish public. The paintings eventually formed the collection that is now known as the Museo Sorolla, which was the artist's house in Madrid. The museum opened in 1932. After his death, Sorolla's widow left many of his paintings to the Spanish public. The paintings eventually formed the collection that is now known as the Museo Sorolla, which was the artist's house in Madrid. I recently took a trip there during my studyabroad program in Florence, Italy but only had two days to experience the beautiful city. Also, the Prado Museum was closed! For any art lover, traveling to Madrid and not seeing the collection in The Prado is a sin. I have made a promise to myself to travel to Madrid again in the future to see the Prado and the Sorolla collections.